THIRD COUNCIL OF CONSTANTINOPLE (746 A.D.)

[1Sidenote: [746-766 A.D.]]

2For ten years Constantine refrained from any stronger measures against image worship. In the tenth year of Constantine rumours spread abroad of secret councils held for the total destruction of images. Either the emperor must have prepared the public mind for this great change with consummate address, or reverence for images must have been less deeply rooted in the East than in the West, otherwise it can scarcely be supposed that so large a number of the clergy as appeared at the Third Council of Constantinople (746) would have slavishly assented to the strong measures of the emperor. Three hundred and forty-eight bishops formed this synod.

3Part of the proceedings of this assembly have been preserved in the records of the rival council, the second held in Nicæa. The passages are cited in the original words, followed by a confutation, sanctioned apparently by the Nicene bishops. The Council of Constantinople proscribes the lawless and blasphemous art of painting. The fathers of Constantinople assume, as boldly as the brethren of Nicæa their sanctity, that all images are the invention of the devil; that they are idols in the same sense as those of the heathen. Nor do they hesitate to impute community of sentiment with the worst heretics to their opponents. They thought that they held the image-worshippers in an inextricable dilemma. If the painters represented only the humanity of Christ, they were Nestorians; if they attempted to mingle it with the divinity, they were Eutychians, circumscribing the infinite and confounding the two substances. It was impiety to represent Christ without his divinity, Arianism to undeify him, despoil him of his godhead.

4The Council of Nicæa admits the perfect unanimity of the Council of Constantinople.

5These 348 bishops concurred in pronouncing their anathema against all who should represent the incarnate Word by material form or colours, who should not restrict themselves to the pure spiritual conception of the Christ, as he is seated, superior in brightness to the sun, on the right hand of the Father; against all who should confound the two natures of Christ in one human image, or who should separate the manhood from the Godhead in the second person of the indivisible Trinity; against all who should not implore the intercession of the Virgin in pure faith, as above all visible and invisible things; against all who should set up the deaf and lifeless images of saints, and who do not rather paint the living likenesses of their virtues in their own hearts.

6All images, whether statues or paintings, were to be forcibly removed from the churches; everyone who henceforth should set up an image, if a bishop or priest, was to be degraded; if a layman, excommunicated. They proceed to curse by name the principal asserters of image-worship. “Anathema against the double-minded Germanus, the worshipper of wood! Anathema against George (of Cyprus), the falsifier of the traditions of the fathers! Anathema against Mansar (they called by this unchristian-sounding name the famous John of Damascus), the Saracen in heart, the traitor to the empire--Mansar the teacher of impiety, the false interpreter of Holy Scripture!”

7Thus was image-worship proscribed by a council, in numbers at least of weight, in the severest and most comprehensive terms. The work of demolition was committed to the imperial officers; only with strict injunctions, not perhaps always obeyed, to respect the vessels, the priestly vestments, and other furniture of the churches, and the cross, the naked cross without any image. The crucifix was of a later period.